"The premise is ridiculous to obiwanobiwan because he doesn't like science fiction"
OBIWAN doesn't like science fiction, you say...OBIWAN? ;)
I do, and in fact, I'd like to see MORE of it included in "The Canon of Western Literature."
Frankenstein's in there, which sort of counts, and some H.G. Wells and Jules Verne...
But Ray Bradbury and Isaac Asimov, in particular, really need more recognition and anthologizing.
Fahrenheit 451, classic...The Martian Chronicles, classic...Asimov's short stories, classic...haven't read his "Foundation" so I can't speak to that, but as I've heard great things about it and I already respect him greatly as an author, I'm sure they're worthy of inclusion on that list...
And while I think the series itself really spiraled out of control--I'm not a fan of series in general, with some notable exceptions, like LOTR, which is really more like one really long book split into 3, or arguably the first "series" ever, The Iliad and Odyssey, which compliment one another, and then you can add The Aeneid in there to further enhance it--I think "Ender's Game" is probably one of the best books written in the last 30/40 years or so in American Lit, and REALLY needs more attention than it already has...
Not so much for the whole battle aspect of it, and all the sci-fi elements, but just for the sheer seriousness and piecing look it has into ethics and psychology, and child psychology in particular...
I'd say Orson Scott Card very possibly portrayed the adolescent-yet-mature thoughts and feelings of children like the Wiggins and Bonzo more accurately than most other authors.
PLUS...
As everyone here knows, I'm a huge Star Trek fan, and I love The Twilight Zone..."The Hitchhiker's Guide to the Galaxy" is another work that not only needs serious attention but could very possibly be a breakout classic of our age if we come to have a more secular and anti-theistic world, a LOT of good jabbing at theism and the whole conceit of the supposed-importance of humanity in there...
And then there's my ongoing project of watching through the Doctor Whos...which has been hit and miss, but I'll concede I'm happy I listened to folks here and gave it a shot, it still has plenty of times where it annoys the hell out of me where they play so fast and loose with the logic that convenience overtakes logic and character development and "It's DW, just go with it" is used as a Get Out Of Jail card far too much, but for all that, on the flip side, when it works, it REALLY works, and Troughton, Tom Baker, and David Tennant in particular have made me glad to watch and own a couple (I bought a 3-DVD set of the first 3 stories with Hartnell, have yet to watch them, curious how this all starts...)
But I digress.
I CLEARLY do not have a problem with sci-fi, was the point of that long ramble-fest. :)
I have a problem with:
1. Book series in general, albeit with some exceptions
2. Cases where "sci-fi" becomes another word for "magic" and just allows whatever to occur
3. When logic is thrown out the window and I'm just supposed to go with it and it's NOT played for laughs (hence why THHGTTG gets a pass, it doesn't take itself too seriously)
4. When pulp works are placed on the same level as actual literary classics...there's a distinct difference between a work that's being written for fans and a work that's "actual" literature, which I know raises some problems, but still, as you yourself, krellin, point out, Iron Man isn't exactly written with the intent of conveying some new and powerful philosophical or social message...it's to showcase a hero from a comic book, and not only is that fine, I would again go so far as to say that it's not even a disqualifying factor to ave it considered as "art"--I'm not sure if it should have WON, but I was in with the group who said "The Dark Knight" at least deserved a token nomination for Best Picture, it went above and beyond the material it's building upon...
So I'm not asking "Why are The Hunger Games even being read by such fools, they should all be at home sipping tea and reading Chaucer or Eliot or Shakespeare," I'm asking "Why are even those in the intellectual community hailing this as one of those works that transcends the popular culture barrier and is being considered as "serious" literature on par with "1984?" Is that justified...or is it hype?"